{"id":143235,"date":"2024-05-15T23:20:10","date_gmt":"2024-05-16T04:20:10","guid":{"rendered":"https:\/\/www.uv.mx\/prensa\/?p=143235"},"modified":"2024-05-15T23:20:10","modified_gmt":"2024-05-16T04:20:10","slug":"academicos-uv-y-colmex-hablaron-de-peliculas-sobre-el-exilio","status":"publish","type":"post","link":"https:\/\/www.uv.mx\/prensa\/cultura\/academicos-uv-y-colmex-hablaron-de-peliculas-sobre-el-exilio\/","title":{"rendered":"Acad\u00e9micos UV y <em>Colmex<\/em> hablaron de pel\u00edculas sobre el exilio"},"content":{"rendered":"<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-list-defn-props=\"{&quot;335552541&quot;:1,&quot;335559685&quot;:720,&quot;335559991&quot;:360,&quot;469769226&quot;:&quot;Symbol&quot;,&quot;469769242&quot;:[8226],&quot;469777803&quot;:&quot;left&quot;,&quot;469777804&quot;:&quot;\uf0b7&quot;,&quot;469777815&quot;:&quot;hybridMultilevel&quot;}\" data-aria-posinset=\"1\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">En Foro Acad\u00e9mico \u201cExilios: ra\u00edces y contribuciones de despiertos o internacionales en M\u00e9xico\u201d de la FILU 2024<\/span><\/i><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/li>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-list-defn-props=\"{&quot;335552541&quot;:1,&quot;335559685&quot;:720,&quot;335559991&quot;:360,&quot;469769226&quot;:&quot;Symbol&quot;,&quot;469769242&quot;:[8226],&quot;469777803&quot;:&quot;left&quot;,&quot;469777804&quot;:&quot;\uf0b7&quot;,&quot;469777815&quot;:&quot;hybridMultilevel&quot;}\" data-aria-posinset=\"2\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">\u201cLas grandes obras po\u00e9ticas, como \u00e9stas, perduran porque nos hablan de sentimientos m\u00e1s profundos\u201d, expres\u00f3 el cineasta Ricardo Benet<\/span><\/i><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/li>\n<\/ul>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<div id=\"attachment_143228\" style=\"width: 732px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-143228\" class=\"size-full wp-image-143228\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2024\/05\/150524-PAOLA-Exilio-y-cinematografia-1-100k.jpg\" alt=\"En la mesa de di\u00e1logo participaron Israel Rodr\u00edguez, Giovanna P\u00e9rez J\u00e1come (moderadora) y Ricardo Benet \" width=\"722\" height=\"482\" \/><p id=\"caption-attachment-143228\" class=\"wp-caption-text\">En la mesa de di\u00e1logo participaron Israel Rodr\u00edguez, Giovanna P\u00e9rez J\u00e1come (moderadora) y Ricardo Benet<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><b><i><span data-contrast=\"auto\">Paola Cort\u00e9s P\u00e9rez<\/span><\/i><\/b><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><b><i><span data-contrast=\"auto\">Fotos: Omar Portilla Palacios<\/span><\/i><\/b><\/p>\n<p><b><i><span data-contrast=\"auto\">15\/05\/2024, Xalapa, Ver.-<\/span><\/i><\/b><span data-contrast=\"auto\"> \u201cLa memoria visual es lo que nos ha quedado de los exilios\u201d, expres\u00f3 Ricardo Benet Santamar\u00eda, jefe del Departamento de Cinematograf\u00eda de la Universidad Veracruzana (UV), al participar en la Mesa \u201cExilio y cinematograf\u00eda. Fragmentos de historia en pantalla grande\u201d.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Lo anterior como parte de las actividades del Foro Acad\u00e9mico \u201cExilios: ra\u00edces y contribuciones de despiertos o internacionales en M\u00e9xico\u201d, en el marco de la vigesimonovena Feria Internacional del Libro Universitario (FILU) 2024, realizada por esta casa de estudios.<\/span><\/p>\n<div id=\"attachment_143229\" style=\"width: 732px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-143229\" class=\"size-full wp-image-143229\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2024\/05\/150524-PAOLA-Exilio-y-cinematografia-2-100k.jpg\" alt=\"Ricardo Benet, jefe del Departamento de Cinematograf\u00eda\" width=\"722\" height=\"412\" \/><p id=\"caption-attachment-143229\" class=\"wp-caption-text\">Ricardo Benet, jefe del Departamento de Cinematograf\u00eda<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><span data-contrast=\"auto\">En su participaci\u00f3n, Benet Santamar\u00eda mostr\u00f3 a la audiencia fragmentos \u2014de cuatro minutos cada uno\u2014 del largometraje <\/span><i><span data-contrast=\"auto\">La mirada de Ulises<\/span><\/i><span data-contrast=\"auto\">, pel\u00edcula griega dirigida por Theo Angelopoulos en 1995, y del documental <\/span><i><span data-contrast=\"auto\">Los ni\u00f1os de Morelia<\/span><\/i><span data-contrast=\"auto\">, dirigido por Juan Pablo Villase\u00f1or.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u201cLas pel\u00edculas sobre el exilio siempre me conmueven por la experiencia. Las grandes obras po\u00e9ticas, como \u00e9stas, perduran porque nos hablan de sentimientos m\u00e1s profundos\u201d, expres\u00f3.<\/span><\/p>\n<div id=\"attachment_143230\" style=\"width: 732px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-143230\" class=\"size-full wp-image-143230\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2024\/05\/150524-PAOLA-Exilio-y-cinematografia-3-100k.jpg\" alt=\"Israel Rodr\u00edguez, acad\u00e9mico del Colmex  \" width=\"722\" height=\"461\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2024\/05\/150524-PAOLA-Exilio-y-cinematografia-3-100k.jpg 722w, https:\/\/www.uv.mx\/prensa\/files\/2024\/05\/150524-PAOLA-Exilio-y-cinematografia-3-100k-300x192.jpg 300w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><p id=\"caption-attachment-143230\" class=\"wp-caption-text\">Israel Rodr\u00edguez, acad\u00e9mico del Colmex<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><span data-contrast=\"auto\">El segundo ponente de la mesa, Israel Rodr\u00edguez Rodr\u00edguez, de El Colegio de M\u00e9xico (<\/span><i><span data-contrast=\"auto\">Colmex<\/span><\/i><span data-contrast=\"auto\">), habl\u00f3 sobre el tema de filmar la patria de donde se procede, a la que no se puede ir y entonces se tiene que inventarla.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Enfoc\u00f3 su participaci\u00f3n sobre la pel\u00edcula <\/span><i><span data-contrast=\"auto\">En el balc\u00f3n vac\u00edo<\/span><\/i><span data-contrast=\"auto\">, de Jomi Garc\u00eda Ascot y Mar\u00eda Luisa Elio, que es pr\u00e1cticamente el \u00fanico documento cinematogr\u00e1fico realizado por la segunda generaci\u00f3n de exiliados espa\u00f1oles en M\u00e9xico.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Participaron Ricardo Benet e Israel Rodr\u00edguez en la mesa \u201cExilio y cinematograf\u00eda. Fragmentos de historia en pantalla grande\u201d <\/p>\n","protected":false},"author":1775,"featured_media":143231,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,47,16833],"tags":[2067,4909,2066,17110,17112,1773,17113,17111,6462,4164,2568],"class_list":["post-143235","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","category-eventos","category-filu-2024","tag-colmex","tag-departamento-de-cinematografia","tag-el-colegio-de-mexico","tag-exilio-y-cinematografia","tag-filmar","tag-foro-academico","tag-memoria-visual","tag-obras-poeticas","tag-omar-portilla-palacios","tag-paola-cortes-perez","tag-peliculas"],"_links":{"self":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/143235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/users\/1775"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/comments?post=143235"}],"version-history":[{"count":1,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/143235\/revisions"}],"predecessor-version":[{"id":143236,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/143235\/revisions\/143236"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media\/143231"}],"wp:attachment":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media?parent=143235"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/categories?post=143235"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/tags?post=143235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}