{"id":80626,"date":"2020-02-18T08:00:06","date_gmt":"2020-02-18T14:00:06","guid":{"rendered":"https:\/\/www.uv.mx\/prensa\/?p=80626"},"modified":"2020-02-18T12:18:32","modified_gmt":"2020-02-18T18:18:32","slug":"ciclo-de-cine-ellas-detras-de-la-lente-llega-a-su-fin","status":"publish","type":"post","link":"https:\/\/www.uv.mx\/prensa\/eventos\/ciclo-de-cine-ellas-detras-de-la-lente-llega-a-su-fin\/","title":{"rendered":"Ciclo de cine <em>Ellas detr\u00e1s de la lente<\/em> llega a su fin"},"content":{"rendered":"<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-aria-posinset=\"1\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">E<\/span><\/i><i><span data-contrast=\"auto\">l mi\u00e9rcoles 19 de <\/span><\/i><i><span data-contrast=\"auto\">febrero, a las 18:00 horas, <\/span><\/i><i><span data-contrast=\"auto\">se proyectar\u00e1 <\/span><\/i><span data-contrast=\"auto\">En carne viva<\/span><i><span data-contrast=\"auto\">, en el Aula Clavijero<\/span><\/i><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/li>\n<\/ul>\n<div id=\"attachment_79990\" style=\"width: 476px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/02\/040220-Cine.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-79990\" class=\"size-full wp-image-79990\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/02\/040220-Cine.jpg\" alt=\"\" width=\"466\" height=\"723\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/02\/040220-Cine.jpg 466w, https:\/\/www.uv.mx\/prensa\/files\/2020\/02\/040220-Cine-193x300.jpg 193w\" sizes=\"auto, (max-width: 466px) 100vw, 466px\" \/><\/a><p id=\"caption-attachment-79990\" class=\"wp-caption-text\">El ciclo es organizdo por el Departamento de Cinematograf\u00eda de la UV<\/p><\/div>\n<p><b><i><span data-contrast=\"auto\">Roberto Ortiz Escobar<\/span><\/i><\/b><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><b><i><span data-contrast=\"auto\">18\/02\/2020, Xalapa, Ver.- <\/span><\/i><\/b><span data-contrast=\"auto\">E<\/span><span data-contrast=\"auto\">l <\/span><span data-contrast=\"auto\">ciclo de cine <\/span><i><span data-contrast=\"auto\">Ellas detr\u00e1s de la<\/span><\/i><i><span data-contrast=\"auto\"> lente<\/span><\/i> <span data-contrast=\"auto\">culmina<\/span><span data-contrast=\"auto\"> con <\/span><span data-contrast=\"auto\">la exhibici\u00f3n de <\/span><i><span data-contrast=\"auto\">En carne viva<\/span><\/i><span data-contrast=\"auto\">, el <\/span><span data-contrast=\"auto\">mi\u00e9rcoles 19 <\/span><span data-contrast=\"auto\">de febrero <\/span><span data-contrast=\"auto\">a las 18:00 horas<\/span><span data-contrast=\"auto\"> en el Aula Clavi<\/span><span data-contrast=\"auto\">jero<\/span><span data-contrast=\"auto\">; la actividad es<\/span> <span data-contrast=\"auto\">organizada<\/span><span data-contrast=\"auto\"> por<\/span> <span data-contrast=\"auto\">el <a href=\"https:\/\/www.uv.mx\/cienciauv\/tag\/departamento-de-cinematografia\/\" target=\"_blank\" rel=\"noopener noreferrer\">Departamento de Cinematograf\u00eda <\/a><\/span><span data-contrast=\"auto\">de la Universidad Veracruzana<\/span><span data-contrast=\"auto\"> (UV).<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">El filme fue realizado en 2003 <\/span><span data-contrast=\"auto\">por Jane <\/span><span data-contrast=\"auto\">Campion<\/span><span data-contrast=\"auto\">,<\/span> <span data-contrast=\"auto\">cineasta neozelandesa nacida <\/span><span data-contrast=\"auto\">en 1954 quien<\/span> <span data-contrast=\"auto\">ha desarrollado su carrera principalmente en<\/span><span data-contrast=\"auto\"> Estados Unidos y Australia. <\/span><span data-contrast=\"auto\">Desde sus inicios <\/span><span data-contrast=\"auto\">tuvo reconocimientos internacionales como la Palma de Oro <\/span><span data-contrast=\"auto\">del Festival de Cannes <\/span><span data-contrast=\"auto\">a <\/span><i><span data-contrast=\"auto\">Peel<\/span><\/i><span data-contrast=\"auto\"> (1982) por<\/span><span data-contrast=\"auto\"> mejor corto<\/span><span data-contrast=\"auto\">metraje<\/span><span data-contrast=\"auto\">. <\/span><span data-contrast=\"auto\">Su \u00f3pera prima <\/span><i><span data-contrast=\"auto\">Sweetie<\/span><\/i><span data-contrast=\"auto\"> (1989), un estudio de<\/span><span data-contrast=\"auto\"> caracteres femeninos, mereci\u00f3 reconocimientos internacionales, as\u00ed como <\/span><i><span data-contrast=\"auto\">Un \u00e1ngel en mi mesa<\/span><\/i><span data-contrast=\"auto\"> (1990), incursi\u00f3n <\/span><span data-contrast=\"auto\">biogr\u00e1fica de <\/span><span data-contrast=\"auto\">la escritora <\/span><span data-contrast=\"auto\">neozelandesa <\/span><span data-contrast=\"auto\">Janet <\/span><span data-contrast=\"auto\">Frame<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">E<\/span><span data-contrast=\"auto\">l m<\/span><span data-contrast=\"auto\">omento cumbre de su filmograf\u00eda<\/span> <span data-contrast=\"auto\">sucedi\u00f3<\/span><span data-contrast=\"auto\"> con<\/span><i><span data-contrast=\"auto\"> El piano <\/span><\/i><span data-contrast=\"auto\">(1990), <\/span><span data-contrast=\"auto\">obra <\/span><span data-contrast=\"auto\">sobre <\/span><span data-contrast=\"auto\">las tensiones er\u00f3ticas de <\/span><span data-contrast=\"auto\">una mujer que acepta a mediados del siglo XIX<\/span><span data-contrast=\"auto\"> un matrimonio concertado en Nueva Zelanda.<\/span> <span data-contrast=\"auto\">E<\/span><span data-contrast=\"auto\">sta cinta<\/span><span data-contrast=\"auto\"> le mereci\u00f3 ser <\/span><span data-contrast=\"auto\">la primera directora<\/span><span data-contrast=\"auto\"> en recibir la Palma de Oro en el Festival de Cannes<\/span><span data-contrast=\"auto\"> y la segunda <\/span><span data-contrast=\"auto\">nominada por la Academia de Hollywood, que<\/span><span data-contrast=\"auto\">, no obstante,<\/span><span data-contrast=\"auto\"> la retribuy\u00f3<\/span><span data-contrast=\"auto\"> con tres Premios \u00d3scar<\/span><span data-contrast=\"auto\">.<\/span><span data-contrast=\"auto\"> I<\/span><span data-contrast=\"auto\">nspirada en una novela de Henry James<\/span><span data-contrast=\"auto\">, <\/span><i><span data-contrast=\"auto\">Retrato de una dama<\/span><\/i><span data-contrast=\"auto\"> (1996) <\/span><span data-contrast=\"auto\">result\u00f3 un enc<\/span><span data-contrast=\"auto\">omiable <\/span><span data-contrast=\"auto\">drama de reivindicaci\u00f3n femenina en el siglo XIX<\/span><span data-contrast=\"auto\"> ingl\u00e9s<\/span><span data-contrast=\"auto\">,<\/span> <span data-contrast=\"auto\">y <\/span><i><span data-contrast=\"auto\">Holy<\/span><\/i> <i><span data-contrast=\"auto\">Smoke<\/span><\/i><span data-contrast=\"auto\"> (1999) <\/span><span data-contrast=\"auto\">abund\u00f3<\/span><span data-contrast=\"auto\"> sobre la personalidad<\/span><span data-contrast=\"auto\"> co<\/span><span data-contrast=\"auto\">mpleja<\/span><span data-contrast=\"auto\"> de una mujer.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><i><span data-contrast=\"auto\">En carne viva<\/span><\/i><span data-contrast=\"auto\"> (<\/span><i><span data-contrast=\"auto\">In <\/span><\/i><i><span data-contrast=\"auto\">the<\/span><\/i> <i><span data-contrast=\"auto\">c<\/span><\/i><i><span data-contrast=\"auto\">ut<\/span><\/i><span data-contrast=\"auto\">, Estad<\/span><span data-contrast=\"auto\">os Unidos<\/span><span data-contrast=\"auto\">) represent\u00f3 un reto para la actriz <\/span><span data-contrast=\"auto\">Meg<\/span> <span data-contrast=\"auto\">Ryan<\/span> <span data-contrast=\"auto\">al asumir un papel <\/span><span data-contrast=\"auto\">de enorme sordidez (<\/span><span data-contrast=\"auto\">desnudo de por medio)<\/span><span data-contrast=\"auto\">, desprendido de <\/span><span data-contrast=\"auto\">las pel\u00edculas que la llevaron<\/span><span data-contrast=\"auto\"> en una \u00e9poca <\/span><span data-contrast=\"auto\">a <\/span><span data-contrast=\"auto\">ser la hero\u00edna de la comedia rom\u00e1ntica hollywoodense (<\/span><i><span data-contrast=\"auto\">Cuando Harry encontr\u00f3 a Sally<\/span><\/i><span data-contrast=\"auto\">, 1989; <\/span><i><span data-contrast=\"auto\">Sinton\u00eda de amor<\/span><\/i><span data-contrast=\"auto\">, 1993; <\/span><i><span data-contrast=\"auto\">Tienes un e-mail<\/span><\/i><span data-contrast=\"auto\">, 1998).<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Con m\u00e1s de<\/span> <span data-contrast=\"auto\">40<\/span><span data-contrast=\"auto\"> a\u00f1os en su haber, <\/span><span data-contrast=\"auto\">R<\/span><span data-contrast=\"auto\">yan<\/span> <span data-contrast=\"auto\">interpret\u00f3<\/span><span data-contrast=\"auto\"> a la profesora de escritura creativa <\/span><span data-contrast=\"auto\">Frannie<\/span><span data-contrast=\"auto\">, quien una noche queda im<\/span><span data-contrast=\"auto\">pactada al ver la forma c<\/span><span data-contrast=\"auto\">o<\/span><span data-contrast=\"auto\">mo un hombre <\/span><span data-contrast=\"auto\">intima<\/span><span data-contrast=\"auto\"> a<\/span><span data-contrast=\"auto\"> una mujer. <\/span><span data-contrast=\"auto\">El erotismo de la escena<\/span> <span data-contrast=\"auto\">y la identificaci\u00f3n del<\/span><span data-contrast=\"auto\"> hombre y su mirada quedan registrados en la <\/span><span data-contrast=\"auto\">mente de la profesora, quien muy p<\/span><span data-contrast=\"auto\">ronto se entera de l<\/span><span data-contrast=\"auto\">a investigaci\u00f3n <\/span><span data-contrast=\"auto\">sobre un crimen com<\/span><span data-contrast=\"auto\">etido cerca de su departamento.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Aunque <\/span><span data-contrast=\"auto\">Frannie<\/span><span data-contrast=\"auto\"> pretende alejarse del caso, el detective <\/span><span data-contrast=\"auto\">investigador <\/span><span data-contrast=\"auto\">intuye que la mujer alg<\/span><span data-contrast=\"auto\">o sabe del suceso tr\u00e1gico. <\/span><i><span data-contrast=\"auto\">T<\/span><\/i><i><span data-contrast=\"auto\">hriller<\/span><\/i> <span data-contrast=\"auto\">polic<\/span><span data-contrast=\"auto\">i<\/span><span data-contrast=\"auto\">aco de gran intensidad <\/span><span data-contrast=\"auto\">que <\/span><span data-contrast=\"auto\">le permiti\u00f3 a Jane <\/span><span data-contrast=\"auto\">Campion<\/span><span data-contrast=\"auto\"> (coautora del <\/span><span data-contrast=\"auto\">gui\u00f3n<\/span><span data-contrast=\"auto\">) plant<\/span><span data-contrast=\"auto\">ear <\/span><span data-contrast=\"auto\">la soledad y los apetitos sexuales de una mujer en un ambiente <\/span><span data-contrast=\"auto\">enrarecido<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><i><span data-contrast=\"auto\">En carne viva<\/span><\/i><span data-contrast=\"auto\"> conserva las preocupaciones de una <\/span><span data-contrast=\"auto\">cineasta <\/span><span data-contrast=\"auto\">a <\/span><span data-contrast=\"auto\">lo lar<\/span><span data-contrast=\"auto\">go de su trayectoria f\u00edlmica, al<\/span><span data-contrast=\"auto\"> debatir la complejidad femenina <\/span><span data-contrast=\"auto\">en distintos <\/span><span data-contrast=\"auto\">contextos hist\u00f3ricos. <\/span><span data-contrast=\"auto\">La cinta ser\u00e1 proyectada el mi\u00e9rcoles 19 en el Aula Clavijero<\/span><span data-contrast=\"auto\">, ubicado en<\/span><span data-contrast=\"auto\"> Ju\u00e1rez <\/span><span data-contrast=\"auto\">n\u00famero <\/span><span data-contrast=\"auto\">55<\/span><span data-contrast=\"auto\">, en el centro<\/span><span data-contrast=\"auto\"> de Xalapa. La entrada es gratuita e inv<\/span><span data-contrast=\"auto\">ita la U<\/span><span data-contrast=\"auto\">V<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El mi\u00e9rcoles 19 de febrero, a las 18:00 horas, se proyectar\u00e1 <em>En carne viva<\/em>, en el Aula Clavijero <\/p>\n","protected":false},"author":1508,"featured_media":79990,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-80626","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eventos"],"_links":{"self":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/80626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/users\/1508"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/comments?post=80626"}],"version-history":[{"count":0,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/80626\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media\/79990"}],"wp:attachment":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media?parent=80626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/categories?post=80626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/tags?post=80626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}