{"id":93881,"date":"2021-03-02T09:43:59","date_gmt":"2021-03-02T15:43:59","guid":{"rendered":"https:\/\/www.uv.mx\/prensa\/?p=93881"},"modified":"2021-03-02T10:32:28","modified_gmt":"2021-03-02T16:32:28","slug":"academica-uv-exploro-el-desnudo-fotografico-en-la-coleccion-toledo","status":"publish","type":"post","link":"https:\/\/www.uv.mx\/prensa\/cultura\/academica-uv-exploro-el-desnudo-fotografico-en-la-coleccion-toledo\/","title":{"rendered":"Acad\u00e9mica UV explor\u00f3 el desnudo fotogr\u00e1fico en la Colecci\u00f3n Toledo"},"content":{"rendered":"<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-aria-posinset=\"1\" data-aria-level=\"1\"><i><span data-contrast=\"none\">Leticia Mora Perdomo, del Instituto de Investigaciones Ling\u00fc\u00edstico-Literarias, p<\/span><\/i><i><span data-contrast=\"none\">articip\u00f3 en\u00a0<\/span><\/i><i><span data-contrast=\"none\">d<\/span><\/i><i><span data-contrast=\"none\">iplomado<\/span><\/i><i><span data-contrast=\"none\">\u00a0cuya sede fue el\u00a0<\/span><\/i><i><span data-contrast=\"none\">Centro de las Artes de San Agust\u00edn, Oaxaca<\/span><\/i><span data-ccp-props=\"{&quot;134233279&quot;:true}\">\u00a0<\/span><\/li>\n<\/ul>\n<p><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<div id=\"attachment_93882\" style=\"width: 732px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.uv.mx\/prensa\/files\/2021\/03\/250221-Leticia-Mora-100k.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93882\" class=\"size-full wp-image-93882\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2021\/03\/250221-Leticia-Mora-100k.jpg\" alt=\"Su punto de partida fue una fotograf\u00eda de desnudo que Edward Weston tom\u00f3 a Charis Wilson\" width=\"722\" height=\"542\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2021\/03\/250221-Leticia-Mora-100k.jpg 722w, https:\/\/www.uv.mx\/prensa\/files\/2021\/03\/250221-Leticia-Mora-100k-300x225.jpg 300w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/a><p id=\"caption-attachment-93882\" class=\"wp-caption-text\">Su punto de partida fue una fotograf\u00eda de desnudo que Edward Weston tom\u00f3 a Charis Wilson<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><b><i><span data-contrast=\"none\">Karina de la Paz Reyes D\u00edaz<\/span><\/i><\/b><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><b><i><span data-contrast=\"none\">02<\/span><\/i><\/b><b><i><span data-contrast=\"none\">\/0<\/span><\/i><\/b><b><i><span data-contrast=\"none\">3<\/span><\/i><\/b><b><i><span data-contrast=\"none\">\/2021, Xalapa,\u00a0<\/span><\/i><\/b><b><i><span data-contrast=\"none\">Ver.-<\/span><\/i><\/b><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Leticia Mora<\/span><span data-contrast=\"none\">\u00a0Perdomo<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0acad\u00e9mica<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">adscrita al<\/span><span data-contrast=\"none\">\u00a0<\/span><a href=\"https:\/\/www.uv.mx\/inslit\/\" target=\"_blank\" rel=\"noopener\"><span data-contrast=\"none\">Instituto<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">de<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Investigaciones<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Ling\u00fc\u00edstico-Literarias<\/span><\/a><span data-contrast=\"none\">\u00a0(IIL-L) de la Universidad Veracruzana<\/span><span data-contrast=\"none\">\u00a0(UV)<\/span><span data-contrast=\"none\">, habl\u00f3 del desnudo<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">y del acto fotogr\u00e1fico en\u00a0<\/span><span data-contrast=\"none\">el\u00a0<\/span><span data-contrast=\"none\">Diplomado An\u00e1lisis de la<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Imagen<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Fotogr\u00e1fica. Explorando la Colecci\u00f3n Toledo<\/span><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">La investigadora,\u00a0<\/span><span data-contrast=\"none\">entre cuyos<\/span><span data-contrast=\"none\">\u00a0inter<\/span><span data-contrast=\"none\">eses<\/span><span data-contrast=\"none\">\u00a0e<\/span><span data-contrast=\"none\">st\u00e1<\/span><span data-contrast=\"none\">\u00a0el estudio de la fotograf\u00eda de artista<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0particip\u00f3\u00a0<\/span><span data-contrast=\"none\">en\u00a0<\/span><span data-contrast=\"none\">este ejercicio acad\u00e9mico\u00a0<\/span><span data-contrast=\"none\">desarrollado en<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">el Centro de las Artes de San Agust\u00edn<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">(<\/span><span data-contrast=\"none\">CaSa<\/span><span data-contrast=\"none\">), Oaxaca, y<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">coordinado<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">por\u00a0<\/span><span data-contrast=\"none\">su colega,\u00a0<\/span><span data-contrast=\"none\">Citlalli<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Gonz\u00e1lez<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Ponce<\/span><span data-contrast=\"none\">,\u00a0<\/span><span data-contrast=\"none\">adscrita al Instituto de Artes Pl\u00e1sticas<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">(IAP<\/span><span data-contrast=\"none\">)\u00a0<\/span><span data-contrast=\"none\">de la UV<\/span><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">\u201c<\/span><span data-contrast=\"none\">Leyendo el desnudo y mirando los diarios de Edward Weston y su\u00a0apropiacio\u0301n\u00a0en\u00a0<\/span><i><span data-contrast=\"none\">C\u00e1mara<\/span><\/i><i><span data-contrast=\"none\">\u00a0obscura<\/span><\/i><span data-contrast=\"none\">\u00a0de Edgardo\u00a0<\/span><span data-contrast=\"none\">Rodr\u00edguez<\/span><span data-contrast=\"none\">\u00a0Julia\u0301<\/span><span data-contrast=\"none\">\u201d<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0se<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">titul\u00f3<\/span><span data-contrast=\"none\">\u00a0su<\/span><span data-contrast=\"none\">\u00a0conferencia<\/span><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Su p<\/span><span data-contrast=\"none\">unto de partida<\/span><span data-contrast=\"none\">\u00a0fue una\u00a0<\/span><span data-contrast=\"none\">fotograf\u00eda<\/span><span data-contrast=\"none\">\u00a0de desnudo\u00a0<\/span><span data-contrast=\"none\">que<\/span><span data-contrast=\"none\">\u00a0Weston (1886-1958)<\/span><span data-contrast=\"none\">,\u00a0<\/span><span data-contrast=\"none\">destacada<\/span><span data-contrast=\"none\">\u00a0figur<\/span><span data-contrast=\"none\">a<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">de<\/span><span data-contrast=\"none\">\u00a0la\u00a0<\/span><span data-contrast=\"none\">fotograf\u00eda<\/span><span data-contrast=\"none\">\u00a0del siglo XX,\u00a0<\/span><span data-contrast=\"none\">tom\u00f3\u00a0<\/span><span data-contrast=\"none\">a\u00a0<\/span><span data-contrast=\"none\">Charis<\/span><span data-contrast=\"none\">\u00a0Wilson (1914-2009)<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0y<\/span><span data-contrast=\"none\">\u00a0que esta\u0301 en la C<\/span><span data-contrast=\"none\">olecci\u00f3n<\/span><span data-contrast=\"none\">\u00a0Toledo.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">\u00c9sta<\/span><span data-contrast=\"none\">, que<\/span><span data-contrast=\"none\">\u00a0es de<\/span><span data-contrast=\"none\">\u00a0las<\/span><span data-contrast=\"none\">\u00a0fotograf\u00edas\u00a0<\/span><span data-contrast=\"none\">m\u00e1s\u00a0<\/span><span data-contrast=\"none\">ic\u00f3nica<\/span><span data-contrast=\"none\">s<\/span><span data-contrast=\"none\">\u00a0del siglo pasado<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0fue el pretexto\u00a0<\/span><span data-contrast=\"none\">que tom\u00f3\u00a0<\/span><span data-contrast=\"none\">la acad\u00e9mica del IIL-L\u00a0<\/span><span data-contrast=\"none\">para\u00a0<\/span><span data-contrast=\"none\">hablar del acto fotogr\u00e1fico y las fotograf\u00edas de desnudo que hay en\u00a0<\/span><span data-contrast=\"none\">dicha\u00a0<\/span><span data-contrast=\"none\">colecci\u00f3n.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Leticia Mora\u00a0<\/span><span data-contrast=\"none\">abund\u00f3 en<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">la\u00a0<\/span><span data-contrast=\"none\">relaci\u00f3n texto-imagen, y\u00a0<\/span><span data-contrast=\"none\">en\u00a0<\/span><span data-contrast=\"none\">las etapas del acto fotogr\u00e1fico<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0de<\/span><span data-contrast=\"none\">\u00a0acuerdo a<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Philippe<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Dubois<\/span><span data-contrast=\"none\">, quien a su vez\u00a0<\/span><span data-contrast=\"none\">establece una relaci\u00f3n\u00a0<\/span><span data-contrast=\"none\">con\u00a0<\/span><span data-contrast=\"none\">en el modelo semi\u00f3tico de\u00a0<\/span><span data-contrast=\"none\">Charles Sanders\u00a0<\/span><span data-contrast=\"none\">Peirce<\/span><span data-contrast=\"none\">:\u00a0<\/span><span data-contrast=\"none\">\u00ed<\/span><span data-contrast=\"none\">ndice<\/span><span data-contrast=\"none\">, icono y s\u00edmbolo<\/span><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Para\u00a0<\/span><span data-contrast=\"none\">la acad\u00e9mica<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">el momento m\u00e1s importante del acto fotogr\u00e1fico es\u00a0<\/span><span data-contrast=\"none\">la<\/span><span data-contrast=\"none\">\u00a0toma\u00a0<\/span><span data-contrast=\"none\">de\u00a0<\/span><span data-contrast=\"none\">la\u00a0<\/span><span data-contrast=\"none\">fotograf\u00eda<\/span><span data-contrast=\"none\">,\u00a0<\/span><span data-contrast=\"none\">pues ah\u00ed<\/span><span data-contrast=\"none\">\u00a0es cuando m\u00e1s relatos\u00a0<\/span><span data-contrast=\"none\">su<\/span><span data-contrast=\"none\">r<\/span><span data-contrast=\"none\">gen<\/span><span data-contrast=\"none\">;<\/span><span data-contrast=\"none\">\u00a0por ejemplo,\u00a0<\/span><span data-contrast=\"none\">dijo que\u00a0<\/span><span data-contrast=\"none\">para\u00a0<\/span><span data-contrast=\"none\">hablar de Weston<\/span><span data-contrast=\"none\">\u00a0considera<\/span><span data-contrast=\"none\">\u00a0sus diarios<\/span><span data-contrast=\"none\">\u00a0(<\/span><span data-contrast=\"none\">donde llev\u00f3 un preciso y sistem\u00e1tico registro de sus datos<\/span><span data-contrast=\"none\">:\u00a0<\/span><span data-contrast=\"none\">n\u00famero de tomas, el tiempo, rollo que utiliz\u00f3, entre ot<\/span><span data-contrast=\"none\">ros<\/span><span data-contrast=\"none\">)<\/span><span data-contrast=\"none\">;<\/span><span data-contrast=\"none\">\u00a0pero tambi\u00e9n la otra historia, la de las modelos, cuya voz\u00a0<\/span><span data-contrast=\"none\">\u201c<\/span><span data-contrast=\"none\">ha sido silenciada o muy poco tomada en cuenta.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">\u201d<\/span><span data-contrast=\"none\">Para\u00a0m\u00ed, todo se centra en esta relaci\u00f3n del fot\u00f3grafo con la modelo<\/span><span data-contrast=\"none\">\u201d<\/span><span data-contrast=\"none\">,\u00a0<\/span><span data-contrast=\"none\">remarc<\/span><span data-contrast=\"none\">\u00f3 la investigadora de la\u00a0<\/span><span data-contrast=\"none\">UV<\/span><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">M\u00e1s adelante<\/span><span data-contrast=\"none\">, present\u00f3 otras fotograf\u00edas de desnudo de la Colecci\u00f3n Toledo: an\u00f3nimas de las d\u00e9cadas 1920 y 1930; de Manuel \u00c1lvarez Bravo, Antonio\u00a0<\/span><span data-contrast=\"none\">Reynoso<\/span><span data-contrast=\"none\">, Rogelio Cu<\/span><span data-contrast=\"none\">\u00e9<\/span><span data-contrast=\"none\">lla<\/span><span data-contrast=\"none\">r, Graciela Iturbide, m\u00e1s de Edw<\/span><span data-contrast=\"none\">ard Weston (teniendo como modelos a la citada\u00a0<\/span><span data-contrast=\"none\">Charis<\/span><span data-contrast=\"none\">\u00a0Wilson y Tina\u00a0<\/span><span data-contrast=\"none\">Modotti<\/span><span data-contrast=\"none\">, por\u00a0<\/span><span data-contrast=\"none\">mencionar\u00a0<\/span><span data-contrast=\"none\">dos) y de Kim Weston.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">\u201c<\/span><span data-contrast=\"none\">El acto fotogr\u00e1fico tiene varias etapas, es verdad, pero el que me perturba m\u00e1s es ese momento\u00a0<\/span><span data-contrast=\"none\">(el de la toma de la fotograf\u00eda),\u00a0<\/span><span data-contrast=\"none\">que es una puesta en escena realmente. Para m\u00ed no tiene nada de natural, es una puesta en escena<\/span><span data-contrast=\"none\">\u201d<\/span><span data-contrast=\"none\">, insisti\u00f3 Mora Perdomo\u00a0<\/span><span data-contrast=\"none\">y al tiempo que dio<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">algunos\u00a0<\/span><span data-contrast=\"none\">adelantos<\/span><span data-contrast=\"none\">\u00a0de un trabajo que prepar\u00f3 a prop\u00f3sito del tema<\/span><span data-contrast=\"none\">, dado su inter\u00e9s en representar\u00a0<\/span><span data-contrast=\"none\">\u201c<\/span><span data-contrast=\"none\">el relato del de<\/span><span data-contrast=\"none\">seo en\u00a0<\/span><i><span data-contrast=\"none\">C\u00e1mara secreta<\/span><\/i><i><span data-contrast=\"none\">\u00a0<\/span><\/i><span data-contrast=\"none\">(de Juli\u00e1)<\/span><span data-contrast=\"none\">\u201d.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Leticia Mora se present\u00f3 el\u00a0<\/span><span data-contrast=\"none\">12 de febrero y el<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">d<\/span><span data-contrast=\"none\">iplomado concluy\u00f3 este<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">26<\/span><span data-contrast=\"none\">\u00a0con la participaci\u00f3n de\u00a0<\/span><span data-contrast=\"none\">Sarah Corona\u00a0<\/span><span data-contrast=\"none\">Berkin<\/span><span data-contrast=\"none\">, de la Universidad de Guadalajara<\/span><span data-contrast=\"none\">\u00a0y de<\/span><span data-contrast=\"none\">l Centro\u00a0<\/span><span data-contrast=\"none\">\u201c<\/span><span data-contrast=\"none\">Maria<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Sibylla<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Merian<\/span><span data-contrast=\"none\">\u201d<\/span><span data-contrast=\"none\">\u00a0de Estudios Latinoamericanos Avanzados en Humanidades y Ciencias Sociales (<\/span><span data-contrast=\"none\">CALAS<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">por sus siglas en ingl\u00e9s)<\/span><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">En<\/span><span data-contrast=\"none\">\u00a0general, en este\u00a0<\/span><span data-contrast=\"none\">d<\/span><span data-contrast=\"none\">iplomado<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">participaron<\/span><span data-contrast=\"none\">\u00a0como ponentes<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">1<\/span><span data-contrast=\"none\">5<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">investigadores<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">quienes destacan en el estudio de la fotograf\u00eda desde diversas \u00e1reas<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">(<\/span><span data-contrast=\"none\">como\u00a0<\/span><span data-contrast=\"none\">John<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Mraz<\/span><span data-contrast=\"none\">, Alberto del Castillo<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0Rebeca Monroy<\/span><span data-contrast=\"none\">,\u00a0<\/span><span data-contrast=\"none\">Alejandro Castellanos<\/span><span data-contrast=\"none\">\u00a0y\u00a0<\/span><span data-contrast=\"none\">Mayra Mendoza<\/span><span data-contrast=\"none\">)<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">y<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">adscritos a<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">diversas instituciones como la<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">UV, la<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Benem\u00e9rita Universidad Aut\u00f3noma de Puebla, el Instituto<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">de Investigaciones \u201cJos\u00e9 Mar\u00eda Luis<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Mora\u201d, la<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Iberoamericana, la Nacional Aut\u00f3noma de<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">M\u00e9xico, la de Guadalajara y el Instituto<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Nacional de Antropolog\u00eda e Historia<\/span><span data-contrast=\"none\">\u00a0y el Nacional de Bellas Artes.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Por parte de la UV tambi\u00e9n<\/span><span data-contrast=\"none\">\u00a0particip\u00f3\u00a0<\/span><span data-contrast=\"none\">Elissa<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">Rashkin<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0investigadora\u00a0<\/span><span data-contrast=\"none\">del Centro de Estudios de la Cultura y la Comunicaci\u00f3<\/span><span data-contrast=\"none\">n.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Citlalli Gonz\u00e1lez,\u00a0<\/span><span data-contrast=\"none\">coordinadora del\u00a0<\/span><span data-contrast=\"none\">d<\/span><span data-contrast=\"none\">iplomado,\u00a0<\/span><span data-contrast=\"none\">precis\u00f3 que\u00a0<\/span><span data-contrast=\"none\">a \u00e9ste\u00a0<\/span><span data-contrast=\"none\">asistieron 40 estudiantes del pa\u00eds y del extranjero<\/span><span data-contrast=\"none\">, espec\u00edficamente de Colombia, Argentina y Estados Unidos.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Leticia Mora Perdomo, del Instituto de Investigaciones Ling\u00fc\u00edstico-Literarias, particip\u00f3 en diplomado cuya sede fue el Centro de las Artes de San Agust\u00edn, Oaxaca <\/p>\n","protected":false},"author":1775,"featured_media":93882,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[523,1680,1679,75,1681,1539,1538,1678],"class_list":["post-93881","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-academica","tag-analisis-de-la-imagen-fotografica","tag-desnudo","tag-diplomado","tag-explorando-la-coleccion-toledo","tag-iil-l","tag-instituto-de-investigaciones-linguistico-literarias","tag-leticia-mora-perdomo"],"_links":{"self":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/93881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/users\/1775"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/comments?post=93881"}],"version-history":[{"count":1,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/93881\/revisions"}],"predecessor-version":[{"id":93890,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/93881\/revisions\/93890"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media\/93882"}],"wp:attachment":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media?parent=93881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/categories?post=93881"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/tags?post=93881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}